The spectacular space of the Lonja de Palma hosts the exhibition Mirall, two sculptures made of braided stainless steel that represent a man and a woman asking for silence with their fingers and that offer a fluid dialogue between art and architecture.
In the centre of this Gothic building stand Invisible Laura and Invisible Rui, which, with their seven metres in height, are situated facing each other, with their backs to the main entrance. These figures symbolise contrasting tensions: body and soul, matter and spirit, light and darkness, opacity and transparency, past and future.
Jaume Plensa (Barcelona, 1955) establishes a parallel with Janus, the Roman god with two faces, one looking to the past and the other to the future, offering a key to interpreting the essence of the exhibition.
