This work serves as a review of the imagination of the American West moved to the geography of Huesca (Spain), which was the setting for the filming of thirty spaghetti westerns from the 60s and 70s of the twentieth century.
A cowboy leaves behind him a completely deserted village and moves through the landscapes of many films in which Huesca is disguised as Texas, in a movement that is not only geographical but also temporal and which culminates in the present moment.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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