Carlos Pazos (Barcelona 1949) presents in the Sala Pelaires within the Nit de l'Art (Art Night), his first exhibition with works made between 2004 and 2012. Flamenco dolls, disco balls, toy guitars, plastic turntable, offal and mobile games are some of the damaged fetishes or useless items that make up the installations and objects of Pazos.
Works like Nota de fondo, Vida resuelta o Elogio del artificio,(Background note, Life resolved or Praise the artifice)describe what the artist calls Poso de batallas (Trace of battles).
Pazos is the creator of a great body of work from obsolete cultural products. His view reinvents the everyday by applying a dazzling appearance.
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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