Sansan Abri (Tehran, 1984) and Dadbeh Bassir (1978 Tehran) swap the camera’s viewfinder for a kaleidoscopic prism.
Their approach to experimentation explores physical and un-pretentious techniques, revealing a bittersweet gaze onto a skyline laced with intoxicating memories and the speed of change. The two-man show embraces photography as poetic introspection, distancing itself from the flamboyant spectacle of digital wizardry, which characterized the first decade of the 21st century.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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