With this project, the Argentinian artist Gonzalo Elvira seeks to contextualize Bauhaus in the historical context of the interwar period. Its title hides a pun: 1919, the year that Walter Gropius founded the art school in Weimar - later moved to Dessau and then to Berlin, until its closure in 1934 by the Nazi regime and the book by Julio Cortazar 62 / Model Kit.
Art, architecture, design and research are combined in this exhibition represented by a series of drawings made in different media and techniques.
Gonzalo Elvira also puts the focus on the role played by women in the Bauhaus, which accounted for 30% of the students but who were not allowed to participate in workshops in blacksmithing, carpentry and architecture citing problems with the three-dimensionality.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
Leer más
Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
Leer más
The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
Leer más
Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
Leer más