In Lope de Rueda, 31, Javier Rodríguez Lozano (Madrid, 1992) explores the pictorial potential of the entrance mats located in the landings of this building where the artist has lived the last eight years. Doormats, daily objects abused and often ignored, have a series of symbolic and formal charges that interest the artist.
Javier Rodríguez Lozano has made a certical trip down the staircase of his block of flats, scanning all the existing door mats on the doors of his neighbors' houses and then copying them in canvas format.
Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The search for the many forms of beauty has accompanied Joan Cortés throughout his tireless journey between art and life. In an age defined by visual ...
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This exhibition offers a journey through a century of dialogue between art and nature through biomorphism. From Surrealism to today’s contemporary ...
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