Lourdes Murillo (Badajoz, 1964) presents this intervention in which the linear sequence of lights and shadows, the sound of the viola of the Prologue by Gérard Grisey, and the smell of incense provoke sensorial experiences that the poetry Dark Night of San Juan de la Cruz, furnishes with multiple meanings.
In this environment carrier of significants the space also acts as an active presence that invites the viewer to participate experientially. The intervention serves the sight, smell and hearing to create a perfect atmosphere for poetry and emotion.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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