The history of the process by which Michelangelo managed to extract the figure of David from the marble slab has gone down in the history of art. The writer Giorgio Vasari came to describe it as "the miracle of giving life to something that was dead."
This legendary story inspired The Immortal, the last series of intimate black and white paintings by the Basque artist Alain Urrutia (Bilbao 1981). Discarded wooden frames, most from the 1900s, become the painter's own stone block.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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