For this new intervention in Box 27, Carles Congost (Olot, 1970) takes as its starting point a pop song by Baltimora, Tarzan Boy (hit of 1985 of Italo- disco) and becomes the core from which the entire piece will be (de) composed.
Congost treats the space as if it was a real commercial showcase, in which he plays with the techniques of window dressing to offer an intervention in which the glass of the display case itself acts as a fourth wall, generating different layers and levels of reading.
Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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This exhibition offers a journey through a century of dialogue between art and nature through biomorphism. From Surrealism to today’s contemporary ...
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Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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